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Reel to real : (Record no. 52121)

000 -LEADER
fixed length control field 04035cam a2200337 a 4500
001 - CONTROL NUMBER
control field 1466420
003 - CONTROL NUMBER IDENTIFIER
control field BD-DhUL
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20160403152731.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 960626s1996 nyu 001 0deng
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 96026474
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0415918235
Qualifying information acid-free cover
-- hardback
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0415918243
Qualifying information acid-free cover
-- paperback
035 ## - SYSTEM CONTROL NUMBER
System control number 1466420
040 ## - CATALOGING SOURCE
Original cataloging agency DLC
Language of cataloging eng
Transcribing agency DLC
Modifying agency DLC
-- DLC
-- BD-DhUL
043 ## - GEOGRAPHIC AREA CODE
Geographic area code n-us---
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 302.2343
Edition number 20
Item number HOR
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Hooks, Bell.
245 10 - TITLE STATEMENT
Title Reel to real :
Remainder of title race, sex, and class at the movies /
Statement of responsibility, etc. Bell Hooks.
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc. New York :
Name of publisher, distributor, etc. Routledge,
Date of publication, distribution, etc. 1996.
300 ## - PHYSICAL DESCRIPTION
Extent 244 p. ;
Dimensions 24 cm.
500 ## - GENERAL NOTE
General note Includes index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note 1. Introduction: making movie magic -- 2. Good girls look the other way -- 3. Transgression and transformation: Leaving Las Vegas -- 4. Exotica: breaking down to break through -- 5. Crooklyn: the denial of death -- 6. Cool cynicism: Pulp Fiction -- 7. Mock feminism: Waiting to Exhale -- 8. Kids: transgressive subjects - reactionary film -- 9. Artistic integrity: race and accountability -- 10. Neo-colonial fantasies of conquest: Hoop Dreams -- 11. Doing it for daddy: black masculinity in the mainstream -- 12. Thinking through class: paying attention to The Attendant -- 13. Back to the avant-garde: the progressive vision -- 14. What's passion got to do with it? an interview with Marie-France Alderman -- 15. The cultural mix: an interview with Wayne Wang -- 16. Confession - filming family: an interview with Camille Billops -- 17. A guiding light: an interview with Charles Burnett -- 18. Critical contestations: a conversation with A.J. (Arthur Jaffa).
505 8# - FORMATTED CONTENTS NOTE
Formatted contents note 19. The oppositional gaze: black female spectators -- 20. Is paris burning? -- 21. "Whose pussy is this?" a feminist comment.
520 1# - SUMMARY, ETC.
Summary, etc. "Although it may not be the goal of filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occasionally they have the power to transform lives. In Reel to Real, Bell Hooks talks back to films she has watched as a way to engage the pedagogy of cinema - how film teaches its audience."--BOOK JACKET. "Bell Hooks comes to film not as a film critic but as a cultural critic, fascinated by the issues movies raise - the way cinema depicts race, sex, and class. Reel to Real brings together Hooks's classic essays (on Paris is Burning or Spike Lee's She's Gotta Have it) with her newer work on such films as Girl 6, Pulp Fiction, Crooklyn, and Waiting to Exhale, and her thoughts on the world of independent cinema. Her conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays to show how cinema can function subversively, even as it maintains the status quo."--BOOK JACKET.
520 ## - SUMMARY, ETC.
Summary, etc. Although it may not be the goal of filmmaker, most of us learn something when we watch movies. They make us think. They make us feel. Occasionally they have the power to transform lives. In Reel to Real, Bell Hooks talks back to films she has watched as a way to engage the pedagogy of cinema - how film teaches its audience. Bell Hooks comes to film not as a film critic but as a cultural critic, fascinated by the issues movies raise - the way cinema depicts race, sex, and class. Reel to Real brings together Hooks's classic essays (on Paris is Burning or Spike Lee's She's Gotta Have it) with her newer work on such films as Girl 6, Pulp Fiction, Crooklyn, and Waiting to Exhale, and her thoughts on the world of independent cinema. Her conversations with filmmakers Charles Burnett, Julie Dash, and Arthur Jaffa are linked with critical essays to show how cinema can function subversively, even as it maintains the status quo.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion pictures
General subdivision Social aspects
Geographic subdivision United States.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion pictures
General subdivision Political aspects
Geographic subdivision United States.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Motion picture producers and directors
Geographic subdivision United States
General subdivision Interviews.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element African American motion picture producers and directors
General subdivision Interviews.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme
Koha item type Books
Holdings
Price effective from Date last seen Permanent Location Not for loan Date acquired Source of classification or shelving scheme Koha item type Lost status Withdrawn status Copy number Source of acquisition Collection code Damaged status Shelving location Barcode Current Location Full call number
2016-04-032016-04-03Dhaka University Library 2016-04-03 Books  1PurchasedNon Fiction General Stacks396796Dhaka University Library302.2343 HOR
Last Updated on September 15, 2019
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