Aesthetic theory /
by Adorno, Theodor W; Adorno, Gretel; Tiedeman, Rolf.
Material type: BookSeries: Theory and history of literature ; v. 88. Publisher: Minneapolis, Minn. : University of Minnesota Press, c1997Description: xxi, 383 p. ; 24 cm.ISBN: 0816617996; 0816618003; 0826467571.Uniform titles: Asthetische Theorie. English.Subject(s): AestheticsItem type | Current location | Collection | Call number | Status | Date due | Barcode |
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Books | Dhaka University Library Dr. Aftab Ahmed Collection | Non Fiction | 111/.85 (Browse shelf) | Not For Loan | 439430 |
Browsing Dhaka University Library Shelves , Shelving location: Dr. Aftab Ahmed Collection , Collection code: Non Fiction Close shelf browser
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110 ARD দিব্য-জীবন / | 111 LUH Hegel's false and his genuine ontology / | 111 SAB Being and nothingness : | 111/.85 Aesthetic theory / | 111.1 SAE Existentialism and humanism / | 111.85 BOA Aesthetics : | 111.85 CRA The aesthetic as the science of expression and of the linguistic in general / |
Includes bibliographical references and index.
Art, Society, Aesthetics -- Situation -- On the Categories of the Ugly, the Beautiful, and Technique -- Natural Beauty -- Art Beauty; Apparition, Spiritualization, Intuitability -- Semblance and Expression -- Enigmaticalness, Truth Content, Metaphysics -- Coherence and Meaning -- Subject-Object -- Toward a Theory of the Artwork -- Universal and Particular -- Society -- Paralipomena -- Theories on the Origin of Art -- Draft Introduction.
The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Adorno's major work, a defense of modernism that is paradoxical in its defense of illusion. In it, Adorno takes up the problem of art in a day when "it goes without saying that nothing concerning art goes without saying." In the course of his discussion, Adorno revisits such concepts as the sublime, the ugly, and the beautiful, demonstrating that concepts such as these are reservoirs of human experience. These experiences ultimately underlie aesthetics, for in Adorno's formulation "art is the sedimented history of human misery."
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