The poetics of Iranian cinema : aesthetics, modernity and film after the revolution /
by Sheibani, Khatereh.
Material type: BookSeries: International library of Iranian studies ; 33.Publisher: London ; New York : I. B. Tauris, 2011Description: x, 222 p. : ill. ; 22 cm.ISBN: 9781848857414.Subject(s): Motion pictures -- Iran -- History -- 20th century | Motion pictures and literature -- Iran | Motion pictures -- AestheticsOnline resources: Contributor biographical information | Publisher description | Table of contents only
Contents:
Introduction: Islamic Revolution and aesthetic evolution -- Cinema art: a poetic interpretation -- Kiarostami and the aesthetics of Ghazal -- Kiarostami and modern Persian poetry -- Modernity and identity in a cinematic perspective -- Mirroring the past, envisioning the future -- Bayzai and the conventions of visual arts -- Conclusion: responding to the Cry of the Simurgh.
Item type | Current location | Collection | Call number | Copy number | Status | Notes | Date due | Barcode |
---|---|---|---|---|---|---|---|---|
Books | Dhaka University Library General Stacks | Non Fiction | 791.430955 SHP (Browse shelf) | 1 | Available | 503312 | ||
Books | Dhaka University Library General Stacks | Non Fiction | 791.430955 SHP (Browse shelf) | 2 | Available | Tr. to Persian Lang. and Lit. Dept. Sem. Lib. | 503313 |
Browsing Dhaka University Library Shelves , Shelving location: General Stacks , Collection code: Non Fiction Close shelf browser
791.430955 RAI Iranian cinema uncensored : | 791.430955 RAI Iranian cinema uncensored : | 791.430955 SHP The poetics of Iranian cinema : | 791.430955 SHP The poetics of Iranian cinema : | 791.430955 VAG গড ইজ ক্লোজ / | 791.430955 VAG গড ইজ ক্লোজ / | 791.430955 VAG গড ইজ ক্লোজ / |
Bibliography: p. [209]-216.
Includes bibliographical references and index.
Includes filmography.
Introduction: Islamic Revolution and aesthetic evolution -- Cinema art: a poetic interpretation -- Kiarostami and the aesthetics of Ghazal -- Kiarostami and modern Persian poetry -- Modernity and identity in a cinematic perspective -- Mirroring the past, envisioning the future -- Bayzai and the conventions of visual arts -- Conclusion: responding to the Cry of the Simurgh.
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