Art, animals, and experience : relationships to canines and the natural world /
by Sutton, Elizabeth A.
Material type:
BookSeries: Routledge Advances in Art and Visual Studies.Publisher: New York ; Routledge, 2017.Description: xii, 138 p., [8] pages of plates : ill. ; 26 cm.ISBN: 9781138241954 (hbk).Subject(s): Dogs in art | Animals in artSummary: "Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world."--Cover page 4.
| Item type | Current location | Collection | Call number | Copy number | Status | Date due | Barcode |
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Dhaka University Library General Stacks | Non Fiction | 704.9432 SUA (Browse shelf) | 1 | Available | 518701 | |
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Books
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Dhaka University Library General Stacks | Non Fiction | 704.9432 SUA (Browse shelf) | 2 | Available | 518702 |
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| 704.943 MIF The Flinders Ranges : | 704.9432 ASA Animal motifs in ancient Indian art / | 704.9432 SUA Art, animals, and experience : | 704.9432 SUA Art, animals, and experience : | 704.9436 LAN Landscape theory / | 704.9436 LAN Landscape theory / | 704.945 CRI Islamic patterns : |
Bibliography : p. 121 - 135.
Includes bibliographical references and index.
"Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world."--Cover page 4.
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