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008 | 031010s2002 enka b 001 0 eng c | ||
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_aUKM _cUKM _dC#P _dSYB _dOCLCQ _dWCM _dUMC _dUMC _dBD-DhUL |
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042 | _apcc | ||
050 | 0 | 0 |
_aN61 _b. C58 2002 |
245 | 0 | 2 |
_aA companion to art theory / _cedited by Paul Smith and Carolyn Wilde. |
260 |
_aOxford : _aMalden, MA : _bBlackwell, _c2002. |
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300 |
_axix, 529 p. : _bill. ; _c26 cm. |
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440 | 0 |
_aBlackwell companions in cultural studies ; _v5 |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_gPart. 1. _tTradition and the academy. _tIntroduction: Alberti and the formation of modern art theory / _rCarolyn Wilde -- _tClassical concept of minesis / _rGöran Sörbom ; _tMedieval art theory / _rHugh Bredin ; _tNeoplatonist aesthetics / _rSuzanne Stern-Gillet ; _tRenaissance art theories / _rFrancois Quiviger ; _tTouch, tactility, and the reception of sculpture in early modern Italy / _rGeraldine A. Johnson ; _tSpiritual exercises of Leonardo da Vinci / _rRobert Williams ; _tAcademic theory,1550-1800 / _rPaul Duro ; _tRhetorical categories in the academy / _rCaroline van Eck ; _tPicturesque and its development / _rAndrew Ballantyne -- _gpt. 2. _tAround modernism. _tAesthetics of Kant and Hegel / _rJason Gaiger ; _tE.H. Gombrich and the tradition of Hegel / _rDavid Summers ; _tGerman romanticism and French aesthetic theory / _rWendy S. Mercer ; _tExpression : natural, personal, pictorial / _rRichard Shiff ; _tReading artists' words / _rRichard Hobbs ; _tNietzsche and the artist / _rMichael White ; _tWittgenstein, description, and Adrian Stokes (on Cézanne) / _rPaul Smith ; _tModernism and the idea of the avant-garde / _rPaul Wood ; _tOn the intention of modern(ist) art / _rFred Orton ; _tAnti-art and the concept of art / _rPaul N. Humble ; _tMarcel Duchamp's readymades and anti-aesthetic reflex / _rDavid Hopkins -- _gpt. 3. _tCritical theory and postmodernism. _tMarxism and critical art history / _rDavid Craven ; _tWalter Benjamin and art theory / _rHoward Caygill ; _tBakhtin and the visual arts / _rDeborah J. Haynes ; _tPeirce's visuality and the semiotics of art / _rMichael Leja ; _tConceptual art / _rCharles Harrison ; _tBarthes on art / _rMargaret Iversen ; _tFoucault and art / _rRoy Boyne ; _tDerrida and the Parergon / _rRobin Marriner ; _tWhat consciousness forgets : Lyotard's concept of the sublime / _rRenée van de Vall ; _tDeleuze on Francis Bacon / _rIan Heywood ; _tFeminisms and art theory / _rMarsha Meskimmon ; _tPsycho-phallus (qu'est-ce que c'est?) / _rMignon Nixon -- _gpt. 4. _tInterpretation and the institution of art. _tRules of representation / _rJohn Willats ; _tGombrich and psychology / _rRichard Woodfield ; _tHermeneutics and art theory / _rNicholas Davey ; _tReciprocity and reception theory / _rMichael Ann Holly ; _tParadox of creative interpretation in art / _rCarl Hausman ; _tInterdisciplinarity and visual culture / _rCharlotte Klonk ; _tAgainst curatorial imperialism : Merleau-Ponty and the historicity of art / _rPaul Crowther ; _tInstitutional theory of art : theory and antitheory / _rGarry L. Hagberg. |
650 | 0 |
_aArt _xPhilosophy _xHistory. |
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650 | 0 |
_aArt criticism _xHistory. |
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650 | 0 | _aAesthetics. | |
700 | 1 |
_aSmith, Paul, _d1956- |
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700 | 1 |
_aWilde, Carolyn, _d1945- |
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906 |
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