000 | 02678cam a2200397 a 4500 | ||
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001 | 3427438 | ||
003 | BD-DhUL | ||
005 | 20161226195242.0 | ||
008 | 010102s2000 njua b 001 0 eng d | ||
020 | _a0691070008 (millennium ed.) | ||
020 | _a0691017506 (pbk. ed.) | ||
020 | _a0691097852 (hardcover ed.) | ||
035 | _a(OCoLC)ocm45645369 | ||
035 | _a(NNC)3427438 | ||
035 | _a3427438 | ||
040 |
_aMBE _cMBE _dOCL _dLVB _dOrLoB-B _dBD-DhUL |
||
082 |
_a701.15 _bGOA |
||
090 |
_aN70 _b.G615 2000 |
||
100 | 1 |
_aGombrich, E. H. _q(Ernst Hans), _d1909-2001. |
|
245 | 1 | 0 |
_aArt and illusion : _ba study in the psychology of pictorial representation / _cE.H. Gombrich. |
250 | _aMillennium ed., with a new preface by the author. | ||
260 |
_aPrinceton : _bPrinceton University Press, _c2000. |
||
300 |
_axliv, 466 p. : _bill. (some col.) ; _c26 cm. |
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490 | 1 |
_aBollingen series, 35. The A. W. Mellon lectures in the fine arts, _v5 |
|
504 | _aIncludes bibliographical references (p. [399]-441) and index. | ||
505 | 0 | 0 |
_tIntroduction: Psychology and the Riddle of Style -- _gPt. 1. _tThe Limits of Likeness -- _gI. _tFrom Light into Paint -- _gII. _tTruth and the Stereotype -- _gPt. 2. _tFunction and Form -- _gIII. _tPygmalion's Power -- _gIV. _tReflections of the Greek Revolution -- _gV. _tFormula and Experience -- _gPt. 3. _tThe Beholder's Share -- _gVI. _tThe Image in the Clouds -- _gVII. _tConditions of Illusion -- _gVIII. _tAmbiguities of the Third Dimension -- _gPt. 4. _tInvention and Discovery -- _gIX. _tThe Analysis of Vision in Art -- _gX. _tThe Experiment of Caricature -- _gXI. _tFrom Representation to Expression. |
520 | 1 | _a"Considered a great classic by all who seek a meeting ground between science and the humanities. Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition. | |
520 | 8 | _aIn testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's main concern is less with the artists than with ourselves, the beholders."--BOOK JACKET. | |
650 | 0 |
_aArt _xPsychology. |
|
650 | 6 |
_aArt _xPsychologie. |
|
830 | 0 |
_aBollingen series ; _v35. |
|
830 | 0 |
_aA.W. Mellon lectures in the fine arts ; _v5. |
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900 |
_aAUTH _bTOC |
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942 |
_2ddc _cBK |
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948 | 2 |
_a20140522 _ba _cjeb52 _dMPS |
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999 |
_c142021 _d142021 |