000 02678cam a2200397 a 4500
001 3427438
003 BD-DhUL
005 20161226195242.0
008 010102s2000 njua b 001 0 eng d
020 _a0691070008 (millennium ed.)
020 _a0691017506 (pbk. ed.)
020 _a0691097852 (hardcover ed.)
035 _a(OCoLC)ocm45645369
035 _a(NNC)3427438
035 _a3427438
040 _aMBE
_cMBE
_dOCL
_dLVB
_dOrLoB-B
_dBD-DhUL
082 _a701.15
_bGOA
090 _aN70
_b.G615 2000
100 1 _aGombrich, E. H.
_q(Ernst Hans),
_d1909-2001.
245 1 0 _aArt and illusion :
_ba study in the psychology of pictorial representation /
_cE.H. Gombrich.
250 _aMillennium ed., with a new preface by the author.
260 _aPrinceton :
_bPrinceton University Press,
_c2000.
300 _axliv, 466 p. :
_bill. (some col.) ;
_c26 cm.
490 1 _aBollingen series, 35. The A. W. Mellon lectures in the fine arts,
_v5
504 _aIncludes bibliographical references (p. [399]-441) and index.
505 0 0 _tIntroduction: Psychology and the Riddle of Style --
_gPt. 1.
_tThe Limits of Likeness --
_gI.
_tFrom Light into Paint --
_gII.
_tTruth and the Stereotype --
_gPt. 2.
_tFunction and Form --
_gIII.
_tPygmalion's Power --
_gIV.
_tReflections of the Greek Revolution --
_gV.
_tFormula and Experience --
_gPt. 3.
_tThe Beholder's Share --
_gVI.
_tThe Image in the Clouds --
_gVII.
_tConditions of Illusion --
_gVIII.
_tAmbiguities of the Third Dimension --
_gPt. 4.
_tInvention and Discovery --
_gIX.
_tThe Analysis of Vision in Art --
_gX.
_tThe Experiment of Caricature --
_gXI.
_tFrom Representation to Expression.
520 1 _a"Considered a great classic by all who seek a meeting ground between science and the humanities. Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition.
520 8 _aIn testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's main concern is less with the artists than with ourselves, the beholders."--BOOK JACKET.
650 0 _aArt
_xPsychology.
650 6 _aArt
_xPsychologie.
830 0 _aBollingen series ;
_v35.
830 0 _aA.W. Mellon lectures in the fine arts ;
_v5.
900 _aAUTH
_bTOC
942 _2ddc
_cBK
948 2 _a20140522
_ba
_cjeb52
_dMPS
999 _c142021
_d142021