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001			3427438
003			BD-DhUL
005			20161226195242.0
008			010102s2000 njua b 001 0 eng d
020			_a0691070008 (millennium ed.)
020			_a0691017506 (pbk. ed.)
020			_a0691097852 (hardcover ed.)
035			_a(OCoLC)ocm45645369
035			_a(NNC)3427438
035			_a3427438
040			_aMBE _cMBE _dOCL _dLVB _dOrLoB-B _dBD-DhUL
082			_a701.15 _bGOA
090			_aN70 _b.G615 2000
100	1		_aGombrich, E. H. _q(Ernst Hans), _d1909-2001.
245	1	0	_aArt and illusion : _ba study in the psychology of pictorial representation / _cE.H. Gombrich.
250			_aMillennium ed., with a new preface by the author.
260			_aPrinceton : _bPrinceton University Press, _c2000.
300			_axliv, 466 p. : _bill. (some col.) ; _c26 cm.
490	1		_aBollingen series, 35. The A. W. Mellon lectures in the fine arts, _v5
504			_aIncludes bibliographical references (p. [399]-441) and index.
505	0	0	_tIntroduction: Psychology and the Riddle of Style -- _gPt. 1. _tThe Limits of Likeness -- _gI. _tFrom Light into Paint -- _gII. _tTruth and the Stereotype -- _gPt. 2. _tFunction and Form -- _gIII. _tPygmalion's Power -- _gIV. _tReflections of the Greek Revolution -- _gV. _tFormula and Experience -- _gPt. 3. _tThe Beholder's Share -- _gVI. _tThe Image in the Clouds -- _gVII. _tConditions of Illusion -- _gVIII. _tAmbiguities of the Third Dimension -- _gPt. 4. _tInvention and Discovery -- _gIX. _tThe Analysis of Vision in Art -- _gX. _tThe Experiment of Caricature -- _gXI. _tFrom Representation to Expression.
520	1		_a"Considered a great classic by all who seek a meeting ground between science and the humanities. Art and Illusion examines the history and psychology of pictorial representation in light of present-day theories of visual perception information and learning. Searching for a rational explanation of the changing styles of art, Gombrich reexamines many ideas on the imitation of nature and the function of tradition.
520	8		_aIn testing his arguments he ranges over the history of art, noticing particularly the accomplishments of the ancient Greeks, and the visual discoveries of such masters as Leonardo da Vinci and Rembrandt, as well as the impressionists and the cubists. Gombrich's main concern is less with the artists than with ourselves, the beholders."--BOOK JACKET.
650		0	_aArt _xPsychology.
650		6	_aArt _xPsychologie.
830		0	_aBollingen series ; _v35.
830		0	_aA.W. Mellon lectures in the fine arts ; _v5.
900			_aAUTH _bTOC
942			_2ddc _cBK
948	2		_a20140522 _ba _cjeb52 _dMPS
999			_c142021 _d142021