| 000 | 00892cam a2200253Ia 4500 | ||
|---|---|---|---|
| 001 | 9646906 | ||
| 003 | BD-DhUL | ||
| 005 | 20161228162948.0 | ||
| 008 | 120215s2012 enka 000 0 eng d | ||
| 015 |
_aGBB217758 _2bnb |
||
| 016 | 7 |
_a016035157 _2Uk |
|
| 020 | _a9780714126791 (pbk.) | ||
| 040 |
_aUKMGB _cUKMGB _dCDX _dOCLCO _dNDD _dSTF _dBD-DhUL |
||
| 082 | 0 | 4 |
_a760 _bGOM |
| 100 | 1 | _aGoldman, Paul. | |
| 245 | 1 | 0 |
_aMaster prints close-up / _cPaul Goldman. |
| 260 |
_aLondon : _bBritish Museum, _c2012. |
||
| 300 |
_a112 p. : _bill. ; _c22 cm. |
||
| 520 | 8 | _aIs a work of art still a work of art if it exists in several hundred identical examples? This introduction to masterpieces of printmaking reveals why prints can be considered to be every bit as original as any other visual art form. | |
| 650 | 0 | _aPrints. | |
| 650 | 0 |
_aPrints _xTechnique. |
|
| 900 | _aAUTH | ||
| 942 |
_2ddc _cBK |
||
| 999 |
_c143242 _d143242 |
||