000			01454cam a2200253 a 4500
001			4548679
003			BD-DhUL
005			20171226151131.0
008			080418s2008 mdua b 001 0 eng
010			_a2008017860
020			_a9780810862036 (pbk. : alk. paper)
020			_a0810862034 (pbk. : alk. paper)
040			_aOCoLC _beng _dANL _cBD-DhUL
050	0	0	_aML60 _b.E27 2008
082	0	4	_a801.95 _222 _bBEL
100	1		_aEdwards, George, _d1943-
245	1	0	_aLiterary Theory / _cGeorge Edwards.
260			_aLONDON : _bTaylor & Francis, _c2008.
300			_axi, 175 p. : _bill. ; _c23 cm.
504			_aIncludes bibliographical references and index.
505	0		_aModern music: currents, influences, performance, audience, prospects. Composition as research ; The pleasure of its being over: a view of contemporary music ; A conversation about new music ; Casting away the yoke, or how to be just a little ahead of your time ; Involuntary affinities: new music and performance in the 20th century -- Postmodern musicology and literary theory. Music and postmodernism ; Taking the cult out of culture ; Music and semiotics ; Is Lessing more? Problems of time in contemporary music -- Haydn and Schubert. The nonsense of an ending: closure in Haydn's string quartets ; Papa Doc's recap caper: Haydn and temporal dyslexia ; A palimpsest of Mozart in Schubert's Symphony no. 5.
650		0	_aMusic _xHistory and criticism.
942			_2ddc _cBK
999			_c144025 _d144025