000			02157nam a22003498a 4500
001			CR9781107281103
003			UkCbUP
005			20170413094210.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			130613s2014||||enk s ||1 0|eng|d
020			_a9781107281103 (ebook)
020			_z9781107052925 (hardback)
020			_z9781107681125 (paperback)
040			_aUkCbUP _cUkCbUP _erda
050	0	0	_aPR428.S65 _bW37 2014
082	0	0	_a820.9/355 _223
100	1		_aWarley, Christopher, _eauthor.
245	1	0	_aReading Class through Shakespeare, Donne, and Milton / _cChristopher Warley.
246	3		_aReading Class through Shakespeare, Donne, & Milton
264		1	_aCambridge : _bCambridge University Press, _c2014.
300			_a1 online resource (220 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520			_aWhy study Renaissance literature? Reading Class through Shakespeare, Donne, and Milton examines six canonical Renaissance works to show that reading literature also means reading class. Warley demonstrates that careful reading offers the best way to understand social relations and in doing so he offers a detailed historical argument about what class means in the seventeenth century. Drawing on a wide range of critics, from Erich Auerbach to Jacques Rancière, from Cleanth Brooks to Theodor Adorno, from Raymond Williams to Jacques Derrida, the book implicitly defends literary criticism. It reaffirms six Renaissance poems and plays, including poems by Donne, Shakespeare's Hamlet, and Milton's Paradise Lost, as the sophisticated and moving works of art that generations of readers have loved. These accessible interpretations also offer exciting new directions for the roles of art and criticism in the contemporary, post-industrial world.
650		0	_aSocial classes in literature
650		0	_aCriticism
776	0	8	_iPrint version: _z9781107052925
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781107281103
999			_c179448 _d179448