000			05202cam a2200541Mi 4500
001			ocn792684025
003			OCoLC
005			20171114102835.0
006			m o d
007			cr |n|---|||||
008			120430s2012 nju o 000 0 eng d
020			_a9781444396447 _q(electronic bk.)
020			_a1444396447 _q(electronic bk.)
029	1		_aGBVCP _b790037505
029	1		_aNLGGC _b38962408X
029	1		_aDEBBG _bBV043394502
035			_a(OCoLC)792684025 _z(OCoLC)904073582
040			_aEBLCP _beng _epn _cEBLCP _dOCLCQ _dYDXCP _dDG1 _dUIU _dOCLCQ _dOCLCF _dOCLCQ _dDEBBG
049			_aMAIN
050		4	_aPN1995.9 .C84 M38 2012
082	0	4	_a791.43/653 _a791.43653
100	1		_aMathijs, Ernest.
245	1	0	_aCult cinema : an introduction / _cErnest Mathijs and Jamie Sexton. _h[electronic resource]
260			_aMalden, MA : _bWiley-Blackwell, _c2011.
300			_a1 online resource (x, 299 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aCounterculture, Drugs and the "Head" Film.
505	0		_aCover; Title Page; Copyright; Dedication; List of Figures; Acknowledgments; Introduction; The History of Studying Cult Cinema; Definition of Cult Cinema; Structure of the Book; Part I: Receptions and Debates; Chapter 1: Cult Reception Contexts; Midnight Movies; The Difficulty of Researching Cult Cinema; Cult Cinema as Phenomenal Experience; Cult Cinema as Bad Experience; Cult Cinema as Collective Experience; Cult Cinema as Connected Experience; Cult Cinema as Surplus Experience; Conclusion: Cult as Performance?; Chapter 2: The Cult Cinema Marketplace; Production Culture.
505	8		_aFunding and DistributionMarketing: Causing and Containing Commotion; Exhibition Culture; Piracy; Conclusion; Chapter 3: Prestige, Awards, and Festivals; Awards and Prizes; Festivals and Valuation; Niche Cults and Festivals; Conclusion; Chapter 4: Censorship and Criticism; Censorship and Controversy; Cult Connoisseurship; Surrealist Criticism; Cult Cinephilia and MacMahonism; Fan Criticism; DIY Criticism; Conclusion; Chapter 5: Fandom and Subculture; Fan Studies: Early Approaches; Visible and Performative Fans; Revising Fan Studies; Cultural Capital and Subcultures; Mainstream Cult Fans?
505	8		_aConclusion: Recent Trends in Cult FandomChapter 6: The Cult Auteur; The "Romantic" Cult Auteur; The Cult of the Dead Auteur; Self-conscious Cultism and Cult Salesmanship; Female Cult Auteurs; Conclusion; Chapter 7: Cult Stardom; The Cult of the Movie Star; Mainstream Cult Stars; The Cult of Death; Cult Actors; Artificiality and Individuality; Conclusion; Chapter 8: Camp and Paracinema; Camp; Paracinema; Critical Responses to Sconce; Conclusion; Chapter 9: Transgression and Freakery; Taboo; From Taboo to Cult?; Transgression; Freakery; Conclusion: Sick Films; Chapter 10: Gender and Sexuality.
505	8		_aMasculinity, Femininity, and CultAnxieties of Cult Consumption; Non-Normative Sexuality and the Performance of Gender; Erotica and the Performance of Gender; The Performance of Gendered Reception; Hidden Strategies of Cult Enjoyment; Conclusion; Chapter 11: Transnationalism and Orientalism; Orientalism: Curiosity versus Exoticism; The Reception of Asian Cult Cinema; Networks of Exchange: Otaku; Hong Kong Cult Cinema; Anime and J-Horror; Conclusion; Chapter 12: Religion and Utopia; Discourses on Cultism and Religion; The Cult of Dionysus: Wasted Time and the Orgy; Utopianism.
505	8		_aMidnight Movies and SatanismContemporary Performances of Religious Cultism; Conclusion; Part II: Themes and Genres; Chapter 13: Exploitation and B Movies; B Movies and Classical Exploitation; Teenpics and Youth Culture; Nasty Trash: Exploitation in the 1970s; Exploitation in the Video Era; Conclusion; Chapter 14: Underground and Avant-garde Cinema; Cult and the Avant-garde of the 1920s; The American Underground of the 1950s and 1960s; Underground Goes Overground: The Midnight Movie; The Underground Today; Chapter 15: Cult Cinema and Drugs; Cult Movies and Drug Depiction.
520			_aCult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinemaOffers a scholarly treatment of a hotly contested topic at the center of current academic debateCovers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic.
588	0		_aPrint version record.
650		0	_aCult films _xHistory and criticism.
650		4	_aCult films.
650		4	_aSensationalism in motion pictures.
650		4	_aFine Arts.
650		7	_aCult films. _2fast _0(OCoLC)fst01744415
655		4	_aElectronic books.
655		7	_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635
700	1		_aSexton, Jamie.
776	0	8	_iPrint version: _aMathijs, Ernest. _tCult Cinema. _dHoboken : John Wiley & Sons, ©2012 _z9781405173735
856	4	0	_uhttp://onlinelibrary.wiley.com/book/10.1002/9781444396447 _zWiley Online Library
942			_2ddc _cBK
999			_c205857 _d205857