| 000 | 05310cam a2200673Mi 4500 | ||
|---|---|---|---|
| 001 | ocn794327520 | ||
| 003 | OCoLC | ||
| 005 | 20171114091112.0 | ||
| 006 | m o d | ||
| 007 | cr |n|---||||| | ||
| 008 | 120528s2011 xx ob 001 0 eng d | ||
| 020 |
_a9781118106723 _q(electronic bk.) |
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| 020 |
_a1118106725 _q(electronic bk.) |
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| 020 |
_a9781118106693 _q(electronic bk.) |
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| 020 |
_a1118106695 _q(electronic bk.) |
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| 020 |
_a9781118106709 _q(electronic bk.) |
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| 020 |
_a1118106709 _q(electronic bk.) |
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| 020 | _z9780470671009 | ||
| 020 | _z0470671009 | ||
| 029 | 1 |
_aAU@ _b000049904265 |
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| 029 | 1 |
_aAU@ _b000052892055 |
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| 029 | 1 |
_aDEBSZ _b397188315 |
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| 029 | 1 |
_aDKDLA _b820120-katalog:000588766 |
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| 029 | 1 |
_aNLGGC _b356487741 |
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| 029 | 1 |
_aNZ1 _b15915571 |
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| 035 |
_a(OCoLC)794327520 _z(OCoLC)779616097 _z(OCoLC)839378928 _z(OCoLC)880746937 |
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| 037 |
_a10.1002/9781118106723 _bWiley InterScience _nhttp://www3.interscience.wiley.com |
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| 037 |
_a01739303-FE8F-4CF2-BA9F-B4A327C2ABEC _bOverDrive, Inc. _nhttp://www.overdrive.com |
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| 040 |
_aEBLCP _beng _epn _cEBLCP _dDG1 _dYDXCP _dUIU _dN$T _dNLGGC _dOCLCO _dOCLCF _dDEBSZ _dOCLCO _dOCLCQ _dOCLCO _dAU@ _dUKDOC _dTEFOD _dOCLCQ _dDG1 |
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| 049 | _aMAIN | ||
| 050 | 4 | _aHM851 .H3676 2011 | |
| 072 | 7 |
_aSOC _x052000 _2bisacsh |
|
| 082 | 0 | 4 | _a302.23 |
| 100 | 1 |
_aHartley, John, _d1948- |
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| 245 | 1 | 0 |
_aDigital futures for cultural and media studies / _cJohn Hartley. _h[electronic resource] |
| 260 |
_aHoboken : _bJohn Wiley & Sons, _c2011. |
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| 300 | _a1 online resource (438 pages) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aCover; Dedication; Title page; Copyright page; 1 The History and Future of Ideas; Part I: Reading Digits; Part II: A Short History of Representation -- From Print to User; 4 The Distribution of Public Thought; 'Public Thought' and Shirky's Shock; Average Collapse; Journalistic Collapse; Academic Collapse; Keening at a Wake; Sequence of Collapse; Every Time You Torrent; An Invisible College -- At the Airport; Signaling the Quality of Public Thought; Digital Literacy: 'Look at Moi!'; Trust Me, I'm a Doctor?; Outlearning; 2 Cultural Studies, Creative Industries, and Cultural Science. | |
| 505 | 8 | _aWhy is Cultural Studies not an Evolutionary Science?Part I: Past -- Cultural Studies; Part II: Present -- Creative Industries; Part III: Future -- Cultural Science; 3 Journalism and Popular Culture; Part I: Popular Culture -- Subject or Object?; Part II: Methodological Considerations; 5 Television Goes Online; Cultural Climate Change; 'That Sign Needs Changing'; Less Popular?; More Democratic?; From Coronation Street to Corrie; More Democratic ... and Sillier?; What Say You?; Implications for Media Studies; 6 Silly Citizenship; Citizenship: Child's Play?; History or Science?; The 'Good Citizen' | |
| 505 | 8 | _aEvolving CitizenshipCultural Citizenship; Media Citizenship; Productive Citizens; Silly Citizenship; Discursive Citizenship in the Era of New Media; Ordinary Publics, New Media, and Cultural Citizenship; Arty-Farty Citizenship?; 7 The Probability Archive; Institutions of Memory; From Objectivity to Quantum Theory; Modernity's Essence Archive; Broadcast Television as Essence Archive; The Probability Archive; Plenitude of the Sign; The Internet as a Probability Machine (Or, How to 'Cast' the First Stone); Amazingly Unlikely; The Veblen Question; The Olduvai Imperative; 8 Messaging as Identity. | |
| 505 | 8 | _aMessage -- What Message?Part I: Interdisciplinary Encounters; Part II: Madness, or Method?; Part III: Evolution of Homo Nuntius; Part IV: Fashion as 'the Message' of Homo Nuntius; Trickster the Entrepreneur; Cultural Science: System, Agency, Disruption, Change; New Firms; The 'A' Word; Distributed Talent; Lying Worm and Cry Baby; Structural Change; Bridging Culture and Science; 9 Paradigm Shifters; References; Acknowledgments; Index. | |
| 520 | _aAn ambitious rendering of the digital future from a pioneer of media and cultural studies, a wise and witty take on a changing field, and our orientation to itInvestigates the uses of multimedia by creative and productive citizen-consumers to provide new theories of communication that accommodate social media, participatory action, and user-creativityLeads the way for new interdisciplinary engagement with systems thinking, complexity and evolutionary sciences, and the convergence of cultural and economic valuesAnalyzes the historical uses of multimedia from print, through broadcasting to the i. | ||
| 588 | 0 | _aPrint version record. | |
| 650 | 0 |
_aDigital media _xSocial aspects. |
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| 650 | 4 |
_aDigital media _xSocial aspects. |
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| 650 | 4 | _aMass media. | |
| 650 | 4 | _aSocial media. | |
| 650 | 4 | _aSocial Science. | |
| 650 | 7 |
_aSOCIAL SCIENCE _xMedia Studies. _2bisacsh |
|
| 650 | 7 |
_aDigital media _xSocial aspects. _2fast _0(OCoLC)fst01766776 |
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| 655 | 4 | _aElectronic books. | |
| 776 | 0 | 8 |
_iPrint version: _aHartley, John. _tDigital Futures for Cultural and Media Studies. _dHoboken : John Wiley & Sons, ©2011 _z9780470671016 |
| 856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118106723 _zWiley Online Library |
| 942 |
_2ddc _cBK |
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| 999 |
_c205927 _d205927 |
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