| 000 | 03028cam a2200649Ka 4500 | ||
|---|---|---|---|
| 001 | ocn805949012 | ||
| 003 | OCoLC | ||
| 005 | 20171114083132.0 | ||
| 006 | m o d | ||
| 007 | cr un||||||||| | ||
| 008 | 120813s2012 enk ob 001 0 eng d | ||
| 020 |
_a9781118358337 _q(electronic bk.) |
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| 020 |
_a1118358333 _q(electronic bk.) |
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| 020 |
_a9781118358344 _q(electronic bk.) |
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| 020 |
_a1118358341 _q(electronic bk.) |
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| 020 |
_z9781118357088 _q(hardcover ; _qalk. paper) |
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| 020 |
_z1118357086 _q(hardcover ; _qalk. paper) |
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| 029 | 1 |
_aAU@ _b000049858958 |
|
| 029 | 1 |
_aDEBBG _bBV041909822 |
|
| 029 | 1 |
_aDKDLA _b820120-katalog:000601000 |
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| 029 | 1 |
_aNZ1 _b14977024 |
|
| 029 | 1 |
_aDEBBG _bBV043394973 |
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| 035 |
_a(OCoLC)805949012 _z(OCoLC)809241671 _z(OCoLC)827236333 _z(OCoLC)961516330 _z(OCoLC)962633758 |
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| 037 |
_a10.1002/9781118358337 _bWiley InterScience _nhttp://www3.interscience.wiley.com |
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| 040 |
_aUIU _beng _epn _cUIU _dDG1 _dOCLCO _dOCLCQ _dUIU _dYDXCP _dN$T _dCDX _dIDEBK _dE7B _dOCLCF _dUKDOC _dOCLCQ _dOCLCO _dOCLCQ _dDEBBG _dOCLCQ _dAZK |
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| 049 | _aMAIN | ||
| 050 | 4 |
_aPN183 _b.S26 2012 |
|
| 072 | 7 |
_aLAN _x005000 _2bisacsh |
|
| 072 | 7 |
_aLAN _x015000 _2bisacsh |
|
| 072 | 7 |
_aREF _x026000 _2bisacsh |
|
| 082 | 0 | 4 |
_a808.009 _223 |
| 100 | 1 | _aSansone, David. | |
| 245 | 1 | 0 |
_aGreek drama and the invention of rhetoric / _cDavid Sansone. _h[electronic resource] |
| 260 |
_aChichester, West Sussex ; _aMalden, MA : _bWiley-Blackwell, _c2012. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 380 | _aBibliography | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _apt. 1. What drama does and how it does it -- Setting the stage -- Seeing is believing -- The muse takes a holiday -- "It's counterpoint," he countered, and pointed -- Illusion and collusion -- Reaction time -- pt. 2. The second stage: the invention of rhetoric -- Paradigm shift happens -- Perhaps you will object -- Putting the accuser on trial. | |
| 588 | 0 | _aPrint version record. | |
| 650 | 0 |
_aRhetoric _xHistory. |
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| 650 | 0 |
_aGreek drama _xHistory and criticism. |
|
| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES _xComposition & Creative Writing. _2bisacsh |
|
| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES _xRhetoric. _2bisacsh |
|
| 650 | 7 |
_aREFERENCE _xWriting Skills. _2bisacsh |
|
| 650 | 7 |
_aGreek drama. _2fast _0(OCoLC)fst00947127 |
|
| 650 | 7 |
_aRhetoric. _2fast _0(OCoLC)fst01096948 |
|
| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
| 655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
| 776 | 0 | 8 |
_iPrint version: _aSansone, David. _tGreek drama and the invention of rhetoric. _dChichester, West Sussex ; Malden, MA : Wiley-Blackwell, 2012 _z9781118357088 _w(DLC) 2012011202 _w(OCoLC)781939894 |
| 856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118358337 _zWiley Online Library |
| 942 |
_2ddc _cBK |
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| 999 |
_c206108 _d206108 |
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