000 06150cam a2200673Ia 4500
001 ocn807035323
003 OCoLC
005 20171114084623.0
006 m o d
007 cr cnu---unuuu
008 111107s2012 mau ob 001 0 eng d
020 _a9781118294345
_q(electronic bk.)
020 _a1118294343
_q(electronic bk.)
020 _a9781118294376
_q(electronic bk.)
020 _a1118294378
_q(electronic bk.)
020 _a1283549611
020 _a9781283549615
020 _a9781118294383
_q(electronic bk.)
020 _a1118294386
_q(electronic bk.)
020 _z9781444337259
_q(Cloth)
020 _z1444337254
_q(Cloth)
024 8 _a9786613862068
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029 1 _aNZ1
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029 1 _aNZ1
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029 1 _aDEBBG
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035 _a(OCoLC)807035323
_z(OCoLC)808609265
_z(OCoLC)817807438
_z(OCoLC)819339040
037 _a9781118294383
_bBlackwell
_nhttp://www.blackwellreference.com
040 _aCDX
_beng
_epn
_cCDX
_dOCLCO
_dN$T
_dIDEBK
_dYDXCP
_dOCLCQ
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_dCREDO
_dOCLCF
_dOCLCQ
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043 _aee-----
049 _aMAIN
050 4 _aPN1993.5.E82
072 7 _aART
_x057000
_2bisacsh
072 7 _aPER
_x004040
_2bisacsh
082 0 4 _a791.430947
_223
245 0 2 _aA companion to Eastern European cinemas /
_cedited by Anikó Imre.
_h[electronic resource]
260 _aMalden :
_bWiley-Blackwell,
_c2012.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
490 1 _aWiley-Blackwell companions to national cinemas
504 _aIncludes bibliographical references and index.
505 0 _aIntroduction: Eastern European cinema from no end to the end (as we know it) / Anikó Imre -- New theoretical and critical frameworks. Body horror and post-socialist cinema: Gyorgy Polfis Taxidermia / Steven Shaviro -- El perro negro: transnational readings of database documentaries from Spain / Marsha Kinder -- Did somebody say Communism in the classroom? or, the value of analyzing totality in recent Serbian cinema / Zoran Samardzija -- Laughing into an abyss: cinema and Balkanization / Kriss Ravetto-Biagioli -- Jewish identities and generational perspectives / Catherine Portuges -- Aftereffects of 1989: Corneliu Porumboiu's 12:08 East of Bucharest (2006) and Romanian cinema / Alice Bardan -- Cinema beyond borders: Slovenian cinema in a world context / Meta Mazaj and Shekhar Deshpande -- Historical and spatial redefinitions. Center and periphery, or how Karel Vachek formed a new government / Alice Lovejoy -- The Polish black series documentary and the British Free Cinema movement / Bjorn Sorenssen -- Socialists in outer space: East German film's Venusian adventure / Stefan Soldovieri -- Red Shift: new Albanian cinema and its dialogue with the old / Bruce Williams -- National space, (trans)national cinema: Estonian film in the 1960s / Eva Näripea -- For the peace, for a new man, for a better world! Italian leftist culture and Czechoslovak cinema, 1945-1968 / Francesco Pitassio -- Aesthetic (re)visions. The impossible Polish new wave and its accursed Émigré auteurs: Borowczyk, Polanski, Skolimowski and Zulawski / Michael Goddard -- Documentary and industrial decline in Hungary: the "zd Series" of Tamás Almási / John Cunningham -- Investigating the past, envisioning the future: an exploration of post-1991 Latvian documentary / Maruta Z. Vitols -- East European historical epics: genre cinema and the visualization of a heroic national past / Nikolina Dobreva -- Nation, gender and history in Latvian genre cinema / Irina Novikova -- A comparative study: Rein Raamat's Big tõll and Priit Pärn's Luncheon on the grass / Andreas Trossek -- Yugoslav black wave: the history and poetics of polemical cinema in the 60s and 70s in Yugoslavia / Greg DeCuir, Jr. -- Industries and institutions. Follow the money: financing contemporary cinema in Romania / Ioana Uricaru -- An alternative model of film production: film units in Poland after WWII / Dorota Ostrowska -- The Hussite heritage film: a dream for all Czech seasons / Petra Hanukovu -- International coproductions as productions of heterotopias / Ewa Mazierska -- East is East? new Turkish cinema and Eastern Europe / Melis Behlil.
520 3 _aA Companion to Eastern European Cinemas showcases twenty-five essays written by established and emerging film scholars that trace the history of Eastern European cinemas and offer an up-to-date assessment of post-socialist film cultures. - Showcases critical historical work and up-to-date assessments of post-socialist film cultures - Features consideration of lesser known areas of study, such as Albanian and Baltic cinemas, popular genre films, cross-national distribution and aesthetics, animation and documentary - Places the cinemas of the region in a European and global context - Resists the Cold War classification of Eastern European cinemas as "other" art cinemas by reconnecting them with the main circulation of film studies - Includes discussion of such films as Taxidermia, El Perro Negro, 12:08 East of Bucharest Big Tõll, and Breakfast on the Grass and explores the work of directors including Tamás Almási, Walerian Borowczyk, Roman Polanski, Jerzy Skolimowski, Andrzej Zulawski, and Karel Vachek amongst many others.
588 0 _aPrint version record.
650 0 _aMotion pictures
_zEurope, Eastern.
650 7 _aART
_xFilm & Video.
_2bisacsh
650 7 _aPERFORMING ARTS
_xFilm & Video
_xReference.
_2bisacsh
650 7 _aMotion pictures.
_2fast
_0(OCoLC)fst01027285
651 7 _aEurope, Eastern.
_2fast
_0(OCoLC)fst01245079
655 4 _aElectronic books.
700 1 _aImre, Anikó.
776 0 8 _iPrint version:
_tCompanion to Eastern European cinemas.
_dMalden : Wiley-Blackwell, 2012
_z9781444337259
_w(DLC) 2011044672
830 0 _aWiley-Blackwell companions to national cinemas.
856 4 0 _uhttp://onlinelibrary.wiley.com/book/10.1002/9781118294376
_zWiley Online Library
942 _2ddc
_cBK
999 _c206117
_d206117