| 000 | 05043cam a2200721Ka 4500 | ||
|---|---|---|---|
| 001 | ocn812911615 | ||
| 003 | OCoLC | ||
| 005 | 20171113140847.0 | ||
| 006 | m o d | ||
| 007 | cr cnu---unuuu | ||
| 008 | 121015s2012 mau ob 001 0 eng d | ||
| 020 |
_a9781118327852 _q(electronic bk.) |
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| 020 |
_a1118327853 _q(electronic bk.) |
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| 020 |
_a9781118327821 _q(electronic bk.) |
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| 020 |
_a1118327829 _q(electronic bk.) |
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| 020 |
_a9781118327838 _q(electronic bk.) |
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_a1118327837 _q(electronic bk.) |
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| 020 | _z9781444338591 | ||
| 020 | _z1444338595 | ||
| 020 | _z6613956902 | ||
| 020 | _z9786613956903 | ||
| 029 | 1 |
_aAU@ _b000050207174 |
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| 029 | 1 |
_aDKDLA _b820120-katalog:000599946 |
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| 029 | 1 |
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_aAU@ _b000059227903 |
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| 035 |
_a(OCoLC)812911615 _z(OCoLC)813398045 _z(OCoLC)813534838 _z(OCoLC)819339479 _z(OCoLC)844729532 _z(OCoLC)855710748 _z(OCoLC)961569204 _z(OCoLC)962680255 |
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| 037 |
_a9781118327838 _bBlackwell _nhttp://www.blackwellreference.com |
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| 040 |
_aN$T _beng _epn _cN$T _dIDEBK _dCDX _dE7B _dEBLCP _dUIU _dDG1 _dUPM _dU9X _dOCLCF _dUKDOC _dOCLCQ _dOCLCO _dKIJ _dOCLCQ _dAZK _dCNNLC |
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| 049 | _aMAIN | ||
| 050 | 4 |
_aPN1995.9.C55 _bC675 2012eb |
|
| 072 | 7 |
_aART _x057000 _2bisacsh |
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| 072 | 7 |
_aPER _x004040 _2bisacsh |
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| 082 | 0 | 4 |
_a791.43/617 _223 |
| 245 | 0 | 2 |
_aA companion to film comedy / _cedited by Andrew Horton and Joanna E. Rapf. _h[electronic resource] |
| 260 |
_aMalden, MA : _bWiley-Blackwell, _c©2012. |
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| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_adata file _2rda |
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| 380 | _aBibliography | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 8 | _aCut to the Chase (1907-1909)Silent Super Star: Max Linder (1905-1912); Ethnic Comedy and the American Character (1900-1916); Mack Sennett's Commedia dell'Arte (1912-1917); American Comedy Gets Some Manners: Flora Finch, John Bunny, Mr. & Mrs. Sidney Drew (1908-1917); The ''Mark of the Ridiculous'' of Charlie Chaplin's ''Pierrot'' (1914-1918); The Mark of the Ridiculous and American Middle Class Silent Comedy of Manners (1915-1929); Conclusion: The Loss of Silents; Notes; References; Further Reading; Chapter 2 Pie Queens and Virtuous Vamps: The Funny Women of the Silent Screen. | |
| 505 | 8 | _a''You Don't have to Speak Funny Words to Make Things Funny'': Charlie Chaplin versus the Three StoogesNotes; References; Further Reading; Part II Comic Performers in the Sound Era; Chapter 4 Mutinies Wednesdays and Saturdays: Carnivalesque Comedy and the Marx Brothers; Unaccustomed Laughter; Plurality Humor; Rabelais on Celluloid; Delirious Abandon; Notes; References; Further Reading; Chapter 5 Jacques Tati and Comedic Performance; Notes; References; Further Reading; Chapter 6 Woody Allen: Charlie Chaplin of New Hollywood; The Nebbish; The Artist; Notes; References; Further Reading. | |
| 505 | 8 | _aChapter 7 Mel Brooks, Vulgar Modernism, and Comic RemediationThe Last Gas(p) of Vulgar Modernism; Be a Clown!; Chicken Fat and Blackouts; Bodily Eruptions and Generic Transformations; Sound Gags and Silent Movies; ''Hey, It Worked in Blazing Saddles''; References; Further Reading; Part III New Perspectives on Romantic Comedy and Masculinity; Chapter 8 Humor and Erotic Utopia: The Intimate Scenarios of Romantic Comedy; References; Further Reading; Chapter 9 Taking Romantic Comedy Seriously in Eternal Sunshine of the Spotless Mind (2004) and Before Sunset (2004); References; Further Reading. | |
| 520 | _aA wide-ranging survey of the subject that celebrates the variety and complexity of film comedy from the 'silent' days to the present, this authoritative guide offers an international perspective on the popular genre that explores all facets of its formative social, cultural and political context A wide-ranging collection of 24 essays exploring film comedy from the silent era to the presentInternational in scope, the collection embraces not just American cinema, including Native American and African American, but also comic films from Europe, the Middle East, and KoreaEssays explore sub-genres. | ||
| 588 | 0 | _aPrint version record. | |
| 650 | 0 |
_aComedy films _xHistory and criticism. |
|
| 650 | 0 | _aComic, The. | |
| 650 | 7 |
_aART _xFilm & Video. _2bisacsh |
|
| 650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xReference. _2bisacsh |
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| 650 | 7 |
_aComedy films. _2fast _0(OCoLC)fst00869095 |
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| 650 | 7 |
_aComic, The. _2fast _0(OCoLC)fst00869191 |
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| 655 | 4 | _aElectronic books. | |
| 655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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| 700 | 1 | _aHorton, Andrew. | |
| 700 | 1 | _aRapf, Joanna E. | |
| 776 | 0 | 8 |
_iPrint version: _tCompanion to film comedy. _dMalden, MA : Wiley-Blackwell, ©2012 _z9781444338591 _w(DLC) 2012023048 _w(OCoLC)795909468 |
| 856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118327821 _zWiley Online Library |
| 942 |
_2ddc _cBK |
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| 999 |
_c206205 _d206205 |
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