000 | 05976cam a2200685Ka 4500 | ||
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001 | ocn827235503 | ||
003 | OCoLC | ||
005 | 20171112083520.0 | ||
006 | m o d | ||
007 | cr cn||||||||| | ||
008 | 130211s2013 mau ob 001 0 eng d | ||
020 |
_a9781118322666 _q(electronic bk.) |
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020 |
_a1118322665 _q(electronic bk.) |
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020 |
_a9781118322673 _q(electronic bk.) |
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020 | _a9781118322642 | ||
020 | _a1118322649 | ||
020 |
_a1118322673 _q(electronic bk.) |
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020 | _z9781444337242 | ||
020 | _z1444337246 | ||
029 | 1 |
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_aNLGGC _b356789101 |
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_aNZ1 _b15340344 |
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035 |
_a(OCoLC)827235503 _z(OCoLC)880853073 _z(OCoLC)967768266 |
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040 |
_aN$T _beng _epn _cN$T _dCDX _dDG1 _dIDEBK _dE7B _dNOC _dOCLCF _dOHI _dUKDOC _dMNM _dOCLCO _dRRP _dYDXCP _dGGVRL _dOCLCQ _dOCLCO _dOCLCQ |
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049 | _aMAIN | ||
050 | 4 |
_aPN1995.9.H5 _bR67 2013eb |
|
072 | 7 |
_aART _x057000 _2bisacsh |
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_aPER _x004040 _2bisacsh |
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082 | 0 | 4 |
_a791.43/658 _223 |
084 |
_aPER004030 _2bisacsh |
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100 | 1 | _aRosenstone, Robert A. | |
245 | 1 | 2 |
_aA companion to the historical film / _cRobert A. Rosenstone, Constantin Parvulescu. _h[electronic resource] |
260 |
_aMalden, MA : _bWiley-Blackwell, _c2013. |
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300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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504 | _aIncludes bibliographical references and index. | ||
505 | 0 | _apt. 1 History and the Medium of Film -- 1. Politics and the Historical Film: Hotel Rwanda and the Form of Engagement / Alison Landsberg -- 2. History as Palimpsest: Stanley Kubrick's Barry Lyndon (1975) / Maria Pramaggiore -- 3. Flagging up History: The Past as a DVD Bonus Feature / Debra Ramsay -- 4. The History Film as a Mode of Historical Thought / Robert A. Rosenstone -- pt. 2 Filmmakers as Historians -- 5. Julia's Resistant History: Women's Historical Films in Hollywood and the Legacy of Citizen Kane / J.E. Smyth -- 6. Mark Donskoi's Gorky Trilogy and the Stalinist Biopic / Denise J. Youngblood -- 7. The Subjects of History: Italian Filmmakers as Historians / Marcia Landy -- 8. Andrzej Wajda as Historian / Piotr Witek -- pt. 3 Telling Lives: The Biopic -- 9. Oliver Stone's Nixon: The Rise and Fall of a Political Gangster / Willem Hesling -- 10. Authorial Histories: The Historical Film and the Literary Biopic / Hila Shachar. | |
505 | 8 | _a11. The Biopic in Hindi Cinema / Rachel Dwyer -- 12. The Lives and Times of the Biopic / Dennis Bingham -- pt. 4 Cinema and the Nation -- 13. Gang Wars: Warner Brothers' The Roaring Twenties Stars, News, and the New Deal / Paula Rabinowitz -- 14. State Terrorism on Film: Argentine Cinema during the First Years of Democracy (1983-1990) / Mario Ranalletti -- 15. Fossil Frontiers: American Petroleum History on Film / Georgiana Banita -- 16. Sounding the Depths of History: Opera and National Identity in Italian Film / Roger Hillman -- pt. 5 Wars and Revolutions -- 17. Generational Memory and Affect in Letters from Iwo Jima / Robert Burgoyne -- 18. Post-Heroic Revolution: Depicting the 1989 Events in the Romanian Historical Film of the Twenty-First Century / Constantin Parvulescu -- 19. In Country: Narrating the Iraq War in Contemporary US Cinema / Guy Westwell -- pt. 6 Premodern Times. | |
505 | 8 | _a20. Heart and Clock: Time and History in The Immortal Heart and Other Films about the Middle Ages / Bettina Bildhauer -- 21. The Anti-Samurai Film / Thomas Keirstead -- pt. 7 Slavery and the Postcolonial World -- 22. The Politics of Cine-Memory: Signifying Slavery in the History Film / David C. Wall -- 23. The African Past on Screen: Moving beyond Dualism / Vivian Bickford-Smith -- 24. Colonial Legacies in Contemporary French Cinema: Jews and Muslims on Screen / Catherine Portuges -- 25."What's Love Got to Do with It?": Sympathy, Antipathy, and the Unsettling of Colonial American History in Film / Louis Kirk McAuley. | |
520 |
_a"Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research. Offers a unique collection of cutting edge research that questions the intention behind and influence of historical film. Essays range in scope from inclusive broad-ranging subjects such as political contexts, to focused assessments of individual films and auteurs. Prefaced with an introductory survey of the field by its two distinguished editors Features interdisciplinary contributions from scholars in the fields of History, Film Studies, Anthropology, and Cultural and Literary Studies"-- _cProvided by publisher. |
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520 |
_a"Broad in scope, this interdisciplinary collection of original scholarship on historical film features essays that explore the many facets of this expanding field and provide a platform for promising avenues of research"-- _cProvided by publisher. |
||
588 | 0 | _aPrint version record. | |
650 | 0 |
_aHistorical films _xHistory and criticism. |
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650 | 0 | _aMotion pictures and history. | |
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xHistory & Criticism. _2bisacsh |
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650 | 7 |
_aART _xFilm & Video. _2bisacsh |
|
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xReference. _2bisacsh |
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650 | 7 |
_aHistorical films. _2fast _0(OCoLC)fst00958120 |
|
650 | 7 |
_aMotion pictures and history. _2fast _0(OCoLC)fst01027408 |
|
655 | 4 | _aElectronic books. | |
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
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700 | 1 | _aParvulescu, Constantin. | |
776 | 0 | 8 |
_iPrint version: _aRosenstone, Robert A. _tCompanion to the historical film. _dMalden, MA : Wiley-Blackwell, 2013 _z9781444337242 _w(DLC) 2012036172 _w(OCoLC)802327547 |
856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118322673 _zWiley Online Library |
942 |
_2ddc _cBK |
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999 |
_c206426 _d206426 |