000 | 05298cam a2200601Ia 4500 | ||
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001 | ocn829228460 | ||
003 | OCoLC | ||
005 | 20171107091817.0 | ||
006 | m o d | ||
007 | cr cnu---unuuu | ||
008 | 130307s2013 maua ob 001 0 eng d | ||
010 | _z 2012033137 | ||
020 |
_a9781118325391 _q(electronic bk.) |
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020 |
_a1118325397 _q(electronic bk.) |
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020 | _a9781118325360 | ||
020 | _a1118325362 | ||
020 |
_z9781405195829 _q(hardback) |
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020 |
_z1405195827 _q(hardback) |
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029 | 1 |
_aAU@ _b000051629482 |
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029 | 1 |
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029 | 1 |
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_aGBVCP _b790206889 |
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_aNZ1 _b15340349 |
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035 |
_a(OCoLC)829228460 _z(OCoLC)961550609 _z(OCoLC)962685606 _z(OCoLC)966254888 |
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040 |
_aN$T _beng _epn _cN$T _dCUS _dDG1 _dE7B _dYDXCP _dCREDO _dNOC _dNLGGC _dIUL _dOCLCQ _dOCLCF _dOCLCQ _dAZK _dLOA _dC6I |
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049 | _aMAIN | ||
050 | 4 |
_aPN1998.3.A46 _bC585 2013eb |
|
072 | 7 |
_aPER _x004010 _2bisacsh |
|
082 | 0 | 4 |
_a791.4302/33092 _223 |
245 | 0 | 2 |
_aA companion to Pedro Almodóvar / _cedited by Marvin D'Lugo and Kathleen M. Vernon. _h[electronic resource] |
260 |
_aMalden, MA : _bJohn Wiley & Sons, _c2013. |
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300 |
_a1 online resource (xvi, 568 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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490 | 1 | _aWiley-Blackwell companions to film directors | |
504 | _aIncludes bibliographical references and index. | ||
505 | 0 | 0 |
_tIntroduction: the skin he lives in / _rMarvin D'Lugo and Kathleen M. Vernon -- _gPart I. _tBio-Filmography: _g1. _tAlmodóvar's self-fashioning: the economics and aesthetics of deconstructive biography / _rPaul Julian Smith; _g2. _tCreative beginnings in Almodóvar's work / _rFrancisco A. Zurián; _g3. _tAlmodóvar and Hitchcock: a sorcerer's apprenticeship / _rDona Kercher; _g4. _tA life, imagined and otherwise: the limits and uses of autobiography in Almodóvar's films / _rAlberto Mira -- _gPart II. _tSpanish Contexts: _g5. _tEl Deseo's "Itinerary:: Almodóvar and the Spanish film industry / _rMarina Diaz López; _g6. _tAlmodóvar and Spanish patterns of film reception / _rJosetxo Cerdán and Miguel Fernandez Lagayen; _g7. _tMemory, politics and the post-transition in Almodóvar's cinema / _rJuan Carol Ibáñez; _g8. _tThe ethics of oblivion: personal, national, and cultural memories in the films of Pedro Almodóvar / _rAdrissn Pérez Melgosa -- _gPart II. _tAt the Limits of Gender: _g9. _tOur rapists ourselves: women and the staging of rape in the cinema of Pedro Almodóvar / _rLeora Lev; _t10. _tPaternity and pathogens: mourning men and the crises of masculinity in Todo sobre mi madre and Hable con ella / _rDean Albritton; _g11. _tDomesticating violence in the films of Pedro Almodóvar / _rNoelia Saenz; _g12. _tLa piel que habito: a story of imposed gender and the struggle for identity / _rFrancisco A. Zurián -- _gPart IV. _tRe-Readings: _g13. _tRe-envoicements and reverberations in Almodóvar's macro-melodrama / _rMarsha Kinder; _g14. _tThe flower of his secret: Carne trémula and the Mise en scene of Desire / _rCelestino Deleyto; _g15. _tScratching the past on the "surface" of the "skin": embodied inter-subjectivity, prosthetic memory, and witnessing in Almodóvar's La mala educación / _rJulian Daniel Gutiérrez-Albila; _g16. _tAlmodóvar's stolen images / _rJavier Herrera -- _gPart V. _tGlobal Almodóvar: _g17. _tWomen on the verge of nervous breakdown: from Madrid (1988) to New York (2010) / _rIsolina Ballesteros; _g18. _tAlmodóvar's global musical marketplace / _rKathleen M. Vernon; _g19. _tAlmodóvar and Latin America: The making of a transnational aesthetic in Volver / _rMarvin D'lugo; _g20. _tIs there a French Almodóvar? / _rJean-Claude Seguin; _g21. _tAlmodóvar in Asia: Hong Kong, Taiwan and LGBT film culture / _rE.K. Tan -- _gPart VI. _tArt and Commerce: _g22. _tTo the health of the author: art direction in Los abrazos rotos / _rJohn D. Sanderson; _g23. _tMaking Spain fashionable: fashion and design in Pedro Almodóvar's cinema / _rGerard Dapena; _g24. _tAlmodóvar, cyberfandom and participatory culture / _rVicente Rodriguez-Ortega. |
520 | 8 |
_aAnnotation _bEdited by leading authorities on the subject, and bringing together a stellar cast of contributors, this detailed appraisal of Pedro Almodovar's unique cinematic art examines the themes, style, and aesthetics of his oeuvre and locates it in the context of the profound cultural transformations in Spain since the 1970s. |
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588 | 0 | _aPrint version record. | |
600 | 1 | 0 |
_aAlmodóvar, Pedro _xCriticism and interpretation. |
600 | 1 | 4 | _aAlmodóvar, Pedro. |
600 | 1 | 7 |
_aAlmodóvar, Pedro. _2fast _0(OCoLC)fst00263699 |
650 | 7 |
_aPERFORMING ARTS _xFilm & Video _xDirection & Production. _2bisacsh |
|
655 | 7 |
_aCriticism, interpretation, etc. _2fast _0(OCoLC)fst01411635 |
|
655 | 7 |
_aElectronic books. _2local |
|
700 | 1 | _aD'Lugo, Marvin. | |
700 | 1 |
_aVernon, Kathleen M., _d1951- |
|
776 | 0 | 8 |
_iPrint version: _tCompanion to Pedro Almodóvar. _dMalden, MA : John Wiley & Sons, 2013 _z9781405195829 _w(DLC) 2012033137 _w(OCoLC)808684615 |
830 | 0 | _aWiley-Blackwell companions to film directors. | |
856 | 4 | 0 |
_uhttp://onlinelibrary.wiley.com/book/10.1002/9781118325360 _zWiley Online Library |
942 |
_2ddc _cBK |
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999 |
_c206539 _d206539 |