000 | 01483cim a2200361 a 4500 | ||
---|---|---|---|
001 | 13248369 | ||
003 | BD-DhUL | ||
005 | 20170920120338.0 | ||
007 | ss lunjlcmnnue | ||
008 | 020812s2003 enknnn f eng d | ||
010 | _a 2003580190 | ||
020 | _a0752856901 | ||
024 | 1 |
_a755057032954 _d00074 |
|
024 | 3 |
_a9781590860748 _d53295 |
|
035 | _a(OCoLC)ocm50391719 | ||
040 |
_aEYB _cEYB _dOCLCQ _dDLC _dBD-DhUL |
||
042 | _alccopycat | ||
043 | _an-us-wa | ||
050 | 0 | 0 | _aRZA 6795 |
082 |
_a813.30872 _bPEA |
||
100 | 1 | _aPearson, Ridley. | |
245 | 1 | 4 |
_aThe art of deception / _cRidley Pearson. |
260 |
_aLondon : _bOrion, _c2003 |
||
300 |
_a[8], 374 p. ; _c24 cm |
||
306 | _a120000 | ||
365 |
_b16.99 _cGBP |
||
520 | _aSeattle police department macho man John LaMoia and cop psychologist Daphne Matthews deal with a case too slippery to close. Lou Boldt, the supervising officer, is also entangled in a conundrum of his own. As both cases heat up, so does the sexual tension between Matthews and LaMoia leading them both into unknown emotional territory. A hair-raising chase through Seattle's Underground, a little-known network of hundred-year-old streets that were paved over by the city decades ago, brings the story to its climax. | ||
650 | 0 | _aDetective English fiction | |
655 | 7 |
_aMystery fiction. _2gsafd |
|
906 |
_a7 _bcbc _ccopycat _d3 _encip _f20 _gy-genmusic |
||
942 |
_2ddc _cBK |
||
955 |
_avn12 2003-06-23 _cvn12 2003-06-23 |
||
999 |
_c214172 _d214172 |