000			02110nam a22003138a 4500
001			CR9780511921230
003			UkCbUP
005			20171019111731.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			100927s2011||||enk s ||1 0|eng|d
020			_a9780511921230 (ebook)
020			_z9780521119283 (hardback)
020			_z9780521134781 (paperback)
040			_aUkCbUP _cUkCbUP _erda
050	0	0	_aPA4414.A7 _bR3913 2011
082	0	0	_a882/.01 _222
245	0	0	_aSophocles' Antigone : _bA New Translation / _cEdited and translated by Diane J. Rayor.
264		1	_aCambridge : _bCambridge University Press, _c2011.
300			_a1 online resource (126 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520			_aSophocles' Antigone comes alive in this new translation that will be useful for academic study and stage production. Diane Rayor's accurate yet accessible translation reflects the play's inherent theatricality. She provides an analytical introduction and comprehensive notes, and the edition includes an essay by director Karen Libman. Antigone begins after Oedipus and Jocasta's sons have killed each other in battle over the kingship. The new king, Kreon, decrees that the brother who attacked with a foreign army remain unburied and promises death to anyone who defies him. The play centers on Antigone's refusal to obey Kreon's law and Kreon's refusal to allow her brother's burial. Each acts on principle colored by gender, personality and family history. Antigone poses a conflict between passionate characters whose extreme stances leave no room for compromise. The highly charged struggle between the individual and the state has powerful implications for ethical and political situations today.
700	1		_aRayor, Diane J., _eeditor of compilation, _etranslator.
776	0	8	_iPrint version: _z9780521119283
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9780511921230
999			_c224535 _d224535