000			02197nam a22003258a 4500
001			CR9781139629195
003			UkCbUP
005			20171019154622.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			121130s2014||||enk s ||1 0|eng|d
020			_a9781139629195 (ebook)
020			_z9781107040632 (hardback)
040			_aUkCbUP _cUkCbUP _erda
050	0	0	_aPR3091 _b.M68 2014
082	0	0	_a792.9/5 _223
245	0	0	_aMoving Shakespeare Indoors : Performance and Repertoire in the Jacobean Playhouse / [electronic resource] _cEdited by Andrew Gurr, Farah Karim-Cooper.
264		1	_aCambridge : _bCambridge University Press, _c2014.
300			_a1 online resource (308 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520			_aShakespeare's company, the King's Men, played at the Globe, and also in an indoor theatre, the Blackfriars. The year 2014 witnessed the opening of the Sam Wanamaker Playhouse, based on seventeenth-century designs of an indoor London theatre and built within the precincts of the current Globe on Bankside. This volume, edited by Andrew Gurr and Farah Karim-Cooper, asks what prompted the move to indoor theatres, and considers the effects that more intimate staging, lighting and music had on performance and repertory. It discusses what knowledge is required when attempting to build an archetype of such a theatre, and looks at the effects of the theatre on audience behaviour and reception. Exploring the ways in which indoor theatre shaped the writing of Shakespeare and his contemporaries in the late Jacobean and early Caroline periods, this book will find a substantial readership among scholars of Shakespeare and Jacobean theatre history.
650		0	_aBlackfriars Theatre (London, England)
700	1		_aGurr, Andrew, _eeditor of compilation.
700	1		_aKarim-Cooper, Farah, _eeditor of compilation.
776	0	8	_iPrint version: _z9781107040632
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139629195 _zCambridge Online Library
999			_c227790 _d227790