000			02145nam a22003258a 4500
001			CR9781139024068
003			UkCbUP
005			20171022142806.0
006			m|||||o||d||||||||
007			cr||||||||||||
008			110217s2013||||enk s ||1 0|eng|d
020			_a9781139024068 (ebook)
020			_z9780521768054 (hardback)
040			_aUkCbUP _cUkCbUP _erda
050	0	0	_aML196 _b.I58 2013
082	0	0	_a780.92/2 _223
245	0	4	_aThe Invention of Beethoven and Rossini : _bHistoriography, Analysis, Criticism / _cEdited by Nicholas Mathew, Benjamin Walton.
246	3		_aThe Invention of Beethoven & Rossini
264		1	_aCambridge : _bCambridge University Press, _c2013.
300			_a1 online resource (396 pages) : _bdigital, PDF file(s).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
500			_aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520			_aBeethoven and Rossini have always been more than a pair of famous composers. Even during their lifetimes, they were well on the way to becoming 'Beethoven and Rossini' – a symbolic duo, who represented a contrast fundamental to Western music. This contrast was to shape the composition, performance, reception and historiography of music throughout the nineteenth and twentieth centuries. The Invention of Beethoven and Rossini puts leading scholars of opera and instrumental music into dialogue with each other, with the aim of unpicking the origins, consequences and fallacies of the opposition between the two composers and what they came to represent. In fifteen chapters, contributors explore topics ranging from the concert lives of early nineteenth-century capitals to the mythmaking of early cinema, and from the close analysis of individual works by Beethoven and Rossini to the cultural politics of nineteenth-century music histories.
700	1		_aMathew, Nicholas, _eeditor of compilation.
700	1		_aWalton, Benjamin, _eeditor of compilation.
776	0	8	_iPrint version: _z9780521768054
856	4	0	_uhttp://dx.doi.org/10.1017/CBO9781139024068
999			_c229045 _d229045