000 02261nam a22003498a 4500
001 CR9781139003414
003 UkCbUP
005 20180107143414.0
006 m|||||o||d||||||||
007 cr||||||||||||
008 110121s2013||||enk s ||1 0|eng|d
020 _a9781139003414 (ebook)
020 _z9781107012974 (hardback)
040 _aUkCbUP
_cUkCbUP
_erda
050 0 0 _aPR888.L39
_bF48 2013
082 0 0 _a823/.9109
_223
100 1 _aFerguson, Rex,
_eauthor.
245 1 0 _aCriminal Law and the Modernist Novel :
_bExperience on Trial / [electronic resource]
_cRex Ferguson.
246 3 _aCriminal Law & the Modernist Novel
264 1 _aCambridge :
_bCambridge University Press,
_c2013.
300 _a1 online resource (222 pages) :
_bdigital, PDF file(s).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
500 _aTitle from publisher's bibliographic system (viewed on 09 Oct 2015).
520 _aThe realist novel and the modern criminal trial both came to fruition in the nineteenth century. Each places a premium on the author's or trial lawyer's ability to reconstruct reality, reflecting modernity's preoccupation with firsthand experience as the basis of epistemological authority. But by the early twentieth century experience had, as Walter Benjamin put it, 'fallen in value'. The modernist novel and the criminal trial of the period began taking cues from a kind of nonexperience – one that nullifies identity, subverts repetition and supplants presence with absence. Rex Ferguson examines how such nonexperience colours the overlapping relationship between law and literary modernism. Chapters on E. M. Forster's A Passage to India, Ford Madox Ford's The Good Soldier and Marcel Proust's In Search of Lost Time detail the development of a uniquely modern subjectivity, offering new critical insight to scholars and students of twentieth-century literature, cultural studies, and the history of law and philosophy.
650 0 _aLaw in literature
650 0 _aTrials in literature
650 0 _aModernism (Literature)
776 0 8 _iPrint version:
_z9781107012974
856 4 0 _uhttp://dx.doi.org/10.1017/CBO9781139003414
_zCambridge Books Online
999 _c236639
_d236639