000			05948cam a2200541Ki 4500
001			ocn925775979
003			OCoLC
005			20190328114813.0
006			m o d
007			cr cnu---unuuu
008			151021t20152016enk ob 001 0 eng d
040			_aOPELS _beng _erda _epn _cOPELS _dN$T _dCDX _dEBLCP _dS3O _dVLB _dWRM _dU3W _dOCLCF _dOCLCQ
019			_a929522686
020			_a9780128004272 _q(electronic bk.)
020			_a0128004274 _q(electronic bk.)
020			_z9780124200838
035			_a(OCoLC)925775979 _z(OCoLC)929522686
050		4	_aHM851 _b.C68 2015eb
072		7	_aPSY _x031000 _2bisacsh
082	0	4	_a302.30285 _223
100	1		_aCover, Rob, _eauthor.
245	1	0	_aDigital identities : creating and communicating the online self / _h[electronic resource] _cRobert Cover.
264		1	_aLondon, England : _bAcademic Press is an imprint of Elsevier, _c2015.
264		4	_c�2016
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
520			_aOnline Identities: Creating and Communicating the Online Self presents a critical investigation of the ways in which representations of identities have shifted since the advent of digital communications technologies. Critical studies over the past century have pointed to the multifaceted nature of identity, with a number of different theories and approaches used to explain how everyday people have a sense of themselves, their behaviors, desires, and representations. In the era of interactive, digital, and networked media and communication, identity can be understood as even more complex, with digital users arguably playing a more extensive role in fashioning their own self-representations online, as well as making use of the capacity to co-create common and group narratives of identity through interactivity and the proliferation of audio-visual user-generated content online.
504			_aIncludes bibliographical references and index.
588	0		_aOnline resource; title from PDF title page (ScienceDirect, viewed October 21, 2015).
505	0		_aCover; Title Page; Copyright Page; Contents; Acknowledgments; Introduction: Ubiquitous digital networks, identity, and the self; 1 -- Ubiquitous digitality: beyond the real/virtual distinction; 2 -- Identity and performativity; 3 -- Selfies: interpellation and spectacle in a productive world; 4 -- About digital identities; Chapter 1 -- Understanding Identity Online: Social Networking; 1 -- Approaching Identity; 2 -- Web 1.0 and Online Fluidity; 3 -- Profiles and Performativity; 4 -- Identity, Friendship, and the Network; 5 -- Identity, Multiplicities, and Undoing; 5.1 -- Commentaries.
505	8		_a5.2 -- Disrupting the Past -- the Archive5.3 -- Tagging; Chapter 2 -- Performativity, Communication, and Selfhood; 1 -- Identity in a media-saturated contemporary world; 1.1 -- Media Effects, Imitation, and Identification; 1.2 -- Psychoanalysis, Screen Theory, and the Gaze; 1.3 -- Encoding/Decoding; 1.4 -- Active Production, Postmodern Approaches; 1.5 -- Consumption: Neoliberal Positioning of Audiencehood; 2 -- Accessing identity information: available and unavailable discourses; 2.1 -- Agenda Setting; 2.2 -- Search Engines: Availability, Accessibility, and Popularity.
505	8		_a2.3 -- Available and Unavailable Discourses3 -- Mediating the self in a circular world -- citationality and reading formations; 4 -- Conclusions: media, normativity, and pedagogy; Chapter 3 -- Interactivity, Digital Media, and the Text; 1 -- Digital media environments and identity today; 2 -- The Nature of Interactivity; 3 -- Interactivity and the author-text-audience relationship -- synergy and struggle; 4 -- Push and pull: audience interactivity in history; 5 -- Reality TV, mixed mediums, and open/closed textualities; 6 -- Digital rights management and flashes: digital wars and interactive struggles.
505	8		_a7 -- Interactive identityChapter 4 -- Bodies, Identity, and Digital Corporeality; 1 -- Defining the body; 1.1 -- Identities without Bodies? Cyborgs?; 2 -- Representing corporeality on-screen; 2.1 -- Representing Stereotypes: Image, Movement, and Categories of Discrimination; 2.2 -- Real and Virtual: Digital Avatars and Gaming Bodies; 3 -- Body-technology relationalities; 3.1 -- Touch-Friendly and Wearable Technologies; 3.2 -- The Concept of the Seam; 3.3 -- Bodily Practices and Technologies; 4 -- Body information: the body as a project; Chapter 5 -- Identity, Internet, and Globalization; 1 -- Introduction.
505	8		_a2 -- The concept of globalization2.1 -- Beyond Local/Global Distinctions; 2.2 -- Global Identities; 3 -- Global discursivity; 3.1 -- Visuality and Discomfort; 3.2 -- Global Exposure, Attitude, and Ethics; 4 -- Global time, fluctuating space; 4.1 -- Global Information Availabilities -- Refiguring Time; 4.2 -- TV Time, Scheduling, and Agency of Choice; 4.3 -- TV, Global Time, Speed, and Identity; 4.4 -- The Reassertion of the (Non)Global Place; 5 -- Global communication, ethics, and the importance of sound and listening; Chapter 6 -- Mobile Telephony, Mobility, and Networked Subjectivity; 1 -- Introduction.
505	8		_a2 -- Mobile devices, accessibility, and ubiquitous connectivity.
650		0	_aInternet _xSocial aspects.
650		0	_aOnline identities.
650		0	_aUser-generated content _xSocial aspects.
650		7	_aPSYCHOLOGY _xSocial Psychology. _2bisacsh
650		7	_aInternet _xSocial aspects. _2fast _0(OCoLC)fst01766793
650		7	_aOnline identities. _2fast _0(OCoLC)fst01740515
650		7	_aInternet _xsociala aspekter. _2sao
655		4	_aElectronic books.
776	0	8	_iPrint version: _aCover, Rob. _tDigital Identities : Creating and Communicating the Online Self. _dSaint Louis : Elsevier Science, �2015 _z9780124200838
856	4	0	_3ScienceDirect _uhttp://www.sciencedirect.com/science/book/9780124200838
999			_c247196 _d247196