000 | 01778cam a22003257i 4500 | ||
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001 | 20236854 | ||
003 | BD-DhUL | ||
005 | 20210819122418.0 | ||
008 | 180103s2017 nyuaf b 001 0 eng | ||
010 | _a 2017297111 | ||
020 | _a9781138241954 (hbk) | ||
035 | _a(OCoLC)ocn974982371 | ||
040 |
_aERASA _beng _erda _cERASA _dOCLCO _dBD-DhUL |
||
042 | _alccopycat | ||
050 | 0 | 0 |
_aN7668.D6 _bS88 2017 |
082 | 0 | 4 |
_a704.9432 _bSUA |
100 | 1 | _aSutton, Elizabeth A. | |
245 | 0 | 0 |
_aArt, animals, and experience : _brelationships to canines and the natural world / _cElizabeth Sutton. |
264 | 1 |
_aNew York ; _aLondon : _bRoutledge, _c2017. |
|
300 |
_axii, 138 p., [8] pages of plates : _bill. ; _c26 cm. |
||
365 |
_aGBP _b115.00 |
||
490 | 0 | _aRoutledge Advances in Art and Visual Studies. | |
504 | _aBibliography : p. 121 - 135. Includes bibliographical references and index. | ||
520 | 8 | _a"Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world. Using Rembrandt van Rijn's etching of The Presentation in the Temple (c. 1640), Joseph Beuys's social sculpture I Like America and America Likes Me (1974), archaic rock paintings at Horseshoe Canyon, Canyonlands National Park, and examples from contemporary art, this book demonstrates how artists across time and cultures employed animals to draw attention to the sensory experience of the composition and reflect upon the shared sensory awareness of the world."--Cover page 4. | |
650 | 0 | _aDogs in art. | |
650 | 0 | _aAnimals in art. | |
830 | 0 |
_aRoutledge advances in art and visual studies ; _v24. |
|
942 |
_2ddc _cBK |
||
955 |
_bxn11 2018-01-03 z-processor to USASH _irk11 2018-07-03 to Dewey |
||
999 |
_c254072 _d254072 |