000 | 02551cam a22003857i 4500 | ||
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001 | 19591992 | ||
003 | BD-DhUL | ||
005 | 20210826160329.0 | ||
008 | 170411s2016 gw a b 001 0 eng | ||
010 | _a 2016439801 | ||
020 | _a9783836555395 (hbk) | ||
035 | _a(OCoLC)ocn921987809 | ||
040 |
_aYDXCP _beng _cYDXCP _erda _dBD-DhUL |
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041 | 1 |
_aeng _hger |
|
042 | _alccopycat | ||
050 | 0 | 0 |
_aN447 _b.M64613 2016 |
082 | 0 | 4 |
_a709.04 _bMOD |
130 | 0 |
_aModerne Kunst. _lEnglish |
|
245 | 1 | 0 |
_aModern art : _b1870-2000 impressionism to today / _cedited by Hans Werner Holzwarth and Laszlo Taschen. |
260 |
_aKoln : _bTaschen, _c2016. |
||
300 |
_a693 p. : _bcol. ill. ; _c21 cm. |
||
365 |
_aGBP _b15.00 |
||
490 | 0 | _aBibliotheca universalis. | |
500 | _a"With essays by Dietmar Elger, Anne Ganteführer-Trier, Karin H. Grimme, Barbara Hess, Hans Werner Holzwarth, Klaus Honnef, Cathrin Klingsöhr-Leroy, Sylvia Martin, Daniel Marzona, Kerstin Stremmel, Norbert Wolf." | ||
500 | _aIncludes bibliographical references and index. | ||
504 | _aGlossary :p-662-672 | ||
520 | _aModern matters: A blow-by-blow account of groundbreaking modernism The modern art adventure began roughly 150 years ago in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, often impasto, strokes. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the establishment salon by organizing their own independent exhibitions. After this first assault on standard academic practice, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, Abstract Art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and Conceptual Art. This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards, and broke down barriers. Each of these stand-out pieces is accompanied by a text profiling the artist and discussing the importance of their work. Introductory essays, meanwhile, explain the most significant modernist movements. | ||
546 | _aTranslated from the German. | ||
650 | 0 |
_aArt, Modern _y19th century. |
|
655 | 7 |
_aHistory. _2fast _0(OCoLC)fst01411628 |
|
700 | 1 |
_aHolzwarth, Hans Werner. _eed. |
|
700 | 1 |
_aTaschen, Laszlo. _eed. |
|
830 | 0 | _aBibliotheca universalis (Taschen (Firm)) | |
942 |
_2ddc _cBK |
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999 |
_c254082 _d254082 |