000 01458nam a2200313 a 4500
001 EDZ0000072946
003 StDuBDS
005 20150804193927.0
006 m||||||||d||||||||
007 cr||||||||||||
008 090220s2009 enka fo 001 0 eng|d
020 _a9780191721540 (ebook) :
_cNo price
040 _aStDuBDS
_cStDuBDS
050 4 _aPN1995
082 0 4 _a791.4301
_222
100 1 _aLivingston, Paisley,
_d1951-
245 1 0 _aCinema, philosophy, Bergman
_h[electronic resource] :
_bon film as philosophy /
_cPaisley Livingston.
260 _aOxford :
_bOxford University Press,
_cc2009.
300 _a1 online resource (ix, 215 p.) :
_bill.
520 8 _aCan cinema be a medium for philosophy? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge.
588 _aDescription based on print version record.
504 _aIncludes bibliographical references and index.
600 1 0 _aBergman, Ingmar,
_d1918-2007
_xCriticism and interpretation.
600 1 0 _aBergman, Ingmar,
_d1918-2007
_xPhilosophy.
650 0 _aMotion pictures
_xPhilosophy.
650 0 _aPhilosophy in motion pictures.
776 0 8 _iPrint version
_z9780199570171
856 4 0 _3Oxford scholarship online
_uhttp://dx.doi.org/10.1093/acprof:oso/9780199570171.001.0001
999 _c37042
_d37042