000 | 01458nam a2200313 a 4500 | ||
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001 | EDZ0000072946 | ||
003 | StDuBDS | ||
005 | 20150804193927.0 | ||
006 | m||||||||d|||||||| | ||
007 | cr|||||||||||| | ||
008 | 090220s2009 enka fo 001 0 eng|d | ||
020 |
_a9780191721540 (ebook) : _cNo price |
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040 |
_aStDuBDS _cStDuBDS |
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050 | 4 | _aPN1995 | |
082 | 0 | 4 |
_a791.4301 _222 |
100 | 1 |
_aLivingston, Paisley, _d1951- |
|
245 | 1 | 0 |
_aCinema, philosophy, Bergman _h[electronic resource] : _bon film as philosophy / _cPaisley Livingston. |
260 |
_aOxford : _bOxford University Press, _cc2009. |
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300 |
_a1 online resource (ix, 215 p.) : _bill. |
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520 | 8 | _aCan cinema be a medium for philosophy? Paisley Livingston explores the philosophical value of cinema. As a case-study for his intentionalist theory of authorship and interpretation he focuses on Ingmar Bergman's cinematic explorations of motivated irrationality, inauthenticity, and self-knowledge. | |
588 | _aDescription based on print version record. | ||
504 | _aIncludes bibliographical references and index. | ||
600 | 1 | 0 |
_aBergman, Ingmar, _d1918-2007 _xCriticism and interpretation. |
600 | 1 | 0 |
_aBergman, Ingmar, _d1918-2007 _xPhilosophy. |
650 | 0 |
_aMotion pictures _xPhilosophy. |
|
650 | 0 | _aPhilosophy in motion pictures. | |
776 | 0 | 8 |
_iPrint version _z9780199570171 |
856 | 4 | 0 |
_3Oxford scholarship online _uhttp://dx.doi.org/10.1093/acprof:oso/9780199570171.001.0001 |
999 |
_c37042 _d37042 |