000 | 01418nam a2200313 a 4500 | ||
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001 | EDZ0000054984 | ||
003 | StDuBDS | ||
005 | 20150804193935.0 | ||
006 | m||||||||d|||||||| | ||
007 | cr|||||||||||| | ||
008 | 120110s2011 enkac fo| 001 0 eng|d | ||
020 |
_a9780191731440 (ebook) : _cNo price |
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040 |
_aStDuBDS _cStDuBDS |
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050 | 0 | _aPN1995 | |
082 | 0 | 4 |
_a791.43013 _223 |
100 | 1 | _aWilson, George M. | |
245 | 1 | 0 |
_aSeeing fictions in film _h[electronic resource] : _bthe epistemology of movies / _cGeorge M. Wilson. |
260 |
_aOxford : _bOxford University Press, _c2011. |
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300 |
_a1 online resource (viii, 220 p.) : _bill., ports. |
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520 | 8 | _aWhat happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world. | |
588 | _aDescription based on print version record. | ||
504 | _aIncludes bibliographical references and index. | ||
650 | 0 |
_aMotion pictures _xPhilosophy. |
|
650 | 0 |
_aMotion pictures _xAesthetics. |
|
650 | 0 | _aMotion picture audiences. | |
650 | 0 | _aNarration (Rhetoric) | |
776 | 0 | 8 |
_iPrint version _z9780199594894 |
856 | 4 | 0 |
_3Oxford scholarship online _uhttp://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001 |
999 |
_c37611 _d37611 |