000 01418nam a2200313 a 4500
001 EDZ0000054984
003 StDuBDS
005 20150804193935.0
006 m||||||||d||||||||
007 cr||||||||||||
008 120110s2011 enkac fo| 001 0 eng|d
020 _a9780191731440 (ebook) :
_cNo price
040 _aStDuBDS
_cStDuBDS
050 0 _aPN1995
082 0 4 _a791.43013
_223
100 1 _aWilson, George M.
245 1 0 _aSeeing fictions in film
_h[electronic resource] :
_bthe epistemology of movies /
_cGeorge M. Wilson.
260 _aOxford :
_bOxford University Press,
_c2011.
300 _a1 online resource (viii, 220 p.) :
_bill., ports.
520 8 _aWhat happens when we view a movie? Do we actually see the fiction, and if so how? Literary fiction is recounted by a voice of some sort - the narrator. George M. Wilson explores the strategies of cinematic narration, and argues that this prompts viewers to imagine seeing and hearing events in the fictional world.
588 _aDescription based on print version record.
504 _aIncludes bibliographical references and index.
650 0 _aMotion pictures
_xPhilosophy.
650 0 _aMotion pictures
_xAesthetics.
650 0 _aMotion picture audiences.
650 0 _aNarration (Rhetoric)
776 0 8 _iPrint version
_z9780199594894
856 4 0 _3Oxford scholarship online
_uhttp://dx.doi.org/10.1093/acprof:oso/9780199594894.001.0001
999 _c37611
_d37611