000 | 01313nam a2200277 a 4500 | ||
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001 | EDZ0000073569 | ||
003 | StDuBDS | ||
005 | 20150804193938.0 | ||
006 | m||||||||d|||||||| | ||
007 | cr|||||||||||| | ||
008 | 091022s2009 enka fo 001 0 eng|d | ||
020 |
_a9780199870585 (ebook) : _cNo price |
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040 |
_aStDuBDS _cStDuBDS |
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050 | 4 | _aPN1995 | |
082 | 0 | 4 |
_a791.43019 _222 |
100 | 1 | _aGrodal, Torben Kragh. | |
245 | 1 | 0 |
_aEmbodied visions _h[electronic resource] : _bevolution, emotion, culture, and film / _cTorben Grodal. |
260 |
_aOxford : _bOxford University Press, _cc2009. |
||
300 |
_a1 online resource (viii, 324 p.) : _bill. |
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520 | 8 | _aTorben Grodal presents an analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. He uses the breakthroughs of modern brain science to explain features of film aesthetics and to construct a general model of aesthetic experience. | |
588 | _aDescription based on print version record. | ||
504 | _aIncludes bibliographical references and index. | ||
650 | 0 |
_aMotion pictures _xPsychological aspects. |
|
776 | 0 | 8 |
_iPrint version _z9780195371314 |
856 | 4 | 0 |
_3Oxford scholarship online _uhttp://dx.doi.org/10.1093/acprof:oso/9780195371314.001.0001 |
999 |
_c37844 _d37844 |