000 | 01999cam a2200349 a 4500 | ||
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001 | 1093745 | ||
003 | BD-DhUL | ||
005 | 20160525151229.0 | ||
008 | 921021s1992 enk b 001 0 eng d | ||
010 | _a 93169222 | ||
020 | _a0340575123 | ||
035 | _a1093745 | ||
040 |
_aANL _beng _cANL _dANL _dBD-DhUL |
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043 |
_an-us--- _ae-uk--- |
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050 | 0 | 0 |
_aML3790 _b.N42 1992 |
082 | 0 | 4 |
_a338.4778163 _220 _bNEP |
100 | 1 | _aNegus, Keith. | |
245 | 1 | 0 |
_aProducing pop : _bculture and conflict in the popular music industry / _cKeith Negus. |
260 |
_aLondon ; _aNew York ; _aMelbourne : _bEdward Arnold, _c1992. |
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300 |
_aix, 175 p. : _c24 cm. |
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500 | _aIncludes bibliographical references (p. [161]-168) and index. | ||
504 | _aIncludes bibliographical references (p. [161]-168) and index. | ||
505 | 0 | 0 | _aMachine derived contents note: Introduction: Between the artist and audience -- Feeding the world: popular music and the global entertainment industry -- Music machines: technology and popular music -- Priorities and prejudice: Artists and Repertoire and the acquisition of artists -- Images, identities and audiences: READ ing and artist development -- Studios and videos: the production of sound and vision -- Promotional war games: pop radio in Britain and North America -- Media matchmakers: press, publicity and performance - stores and dance floors -- Between success and failure: collaboration and conflict in the recording industry -- Conclusion: commerce, chaos and cultural change -- Appendices -- Bibliography -- Index. |
650 | 0 |
_aMusic trade _zGreat Britain. |
|
650 | 0 |
_aMusic trade _zUnited States. |
|
650 | 0 |
_aRock music _zGreat Britain. |
|
650 | 0 |
_aRock music _zUnited States. |
|
650 | 0 |
_aRock music _xVocational guidance. |
|
856 | 4 | 2 |
_3Publisher description _uhttp://www.loc.gov/catdir/enhancements/fy0638/93169222-d.html |
856 | 4 | 1 |
_3Table of contents only _uhttp://www.loc.gov/catdir/enhancements/fy0638/93169222-t.html |
942 |
_2ddc _cBK |
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999 |
_c69856 _d69856 |