The Cambridge companion to modernism /
by Levenson, Michael H. (Michael Harry).
Material type: BookSeries: Cambridge companions to literature.Publisher: Cambridge ; New York : Cambridge University Press, 2011Edition: 2nd ed.Description: xvii, 320 p. : ill. ; 23 cm.ISBN: 9781107010635; 1107010632; 9780521281256 (pbk.); 0521281253 (pbk.).Subject(s): Modernism (Literature) | Modernism (Art)Online resources: Cover image | Contributor biographical information | Publisher description | Table of contents onlyItem type | Current location | Call number | Status | Notes | Date due |
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Books | Dept. of English Seminar Library University of Dhaka | 808.8/0112 (Browse shelf) | Available | Shelf-53 |
Browsing Dept. of English Seminar Library University of Dhaka Shelves Close shelf browser
808 Research Methods for English Studies | 808 Research Methods for English Studies | 808/.042 Research and writing across the disciplines / | 808.8/0112 The Cambridge companion to modernism / | 808.82 The romantic agony; | 808.82 The romantic agony; | 808.82 The romantic agony; |
Includes bibliographical references and index.
Introduction / Michael Levenson -- The metaphysics of modernism / Michael Bell -- The cultural economy of modernism / Lawrence Rainey -- The modernist novel / David Trotter -- Modern poetry / James Longenbach -- Modernism in drama / Christopher Innes -- Modernism and the politics of culture / Sara Blair -- Modernism and religion / Pericles Lewis -- Modernism and mass culture / Allison Pease -- Modernism and gender / Marianne DeKoven -- Musical motives / Daniel Albright -- Modernism and the visual arts / Glen MacLeod -- Modernism and film / Michael Wood -- Modernism and colonialism / Elleke Boehmer and Steven Matthews.
"This Companion has long been a standard introduction to the field. Now fully updated and enhanced with four new chapters, it addresses the key themes being researched, taught and studied in modernism today. Its interdisciplinary approach is central to its success as it brings together readings of the many varieties of modernism. Chapters address the major literary genres, the intellectual, religious and political contexts, and parallel developments in film, painting and music. The catastrophe of the First World War, the emergence of feminism, the race for empire, the conflict among classes: the essays show how these events and circumstances shaped aesthetic and literary experiments. In doing so, they explain clearly both the precise formal innovations in language, image, scene and tone, and the broad historical conditions of a movement that aspired to transform culture"-- Provided by publisher.
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